Final Cut Pro 3.5/5
(4708)







us (4708)
fr (489)
jp (533)
cn (162)
es (264)
pt (37)
br (163)
mx (132)
de (1001)
kr (133)
it (362)
se (175)
ru (190)
nl (288)
gb (900)
$299.99
Download

Final Cut Pro

fr jp cn es pt br mx de kr it se ru nl gb

By Apple (Apple Inc.)

Redesigned from the ground up, Final Cut Pro combines revolutionary video editing with powerful media organization and incredible performance to let you create at the speed of thought.

Revolutionary Video Editing
• The Magnetic Timeline 2 with color coding and flexible lanes is faster and easier to use than traditional tracks
• Enhanced Timeline Index lets you drag and drop audio roles to rearrange the layout of your timeline
• Use Clip Connections to attach B-roll, sound effects, and music to the timeline
• Reduce clutter by grouping clips into a Compound Clip
• Cycle through different shots, graphics, or effects at one place in the timeline with Auditions
• Edit multicamera projects with automatic syncing based on audio waveforms and support for up to 64 camera angles

Powerful Media Organization
• Organize your work within libraries for efficient media management and collaboration
• Content Auto-Analysis captures camera metadata and analyzes shots in the background
• Create and apply custom keywords or favorites on the fly as you select clip ranges
• Smart Collections dynamically organize content for you to quickly find any shot in a few clicks

Incredible Performance
• Final Cut Pro uses all the GPUs in your Mac for superior real-time playback performance and fast background rendering
• 64-bit architecture uses all the RAM in your system for larger projects and richer effects
• Background processing lets you keep working without interruption
• Work natively with a broad range of formats including ProRes, RED, XAVC, AVCHD, H.264 from DSLRs, and more

Compelling, Customizable Effects
• Beautifully animated, easily customizable 2D and 3D titles
• Change the look of titles, transitions, and effects using intuitive controls
• Choose from an extensive ecosystem of third-party FxPlug plug-ins with custom interfaces

Integrated Audio Editing
• Assign roles — including dialogue, music, effects, and custom choices — during import to easily track and organize your project
• Expand and edit multichannel audio files directly in the timeline
• Let Final Cut Pro repair audio problems such as hum, excessive background noise, and more
• Sync DSLR video with separate audio in a single step with instant audio waveform matching

Intuitive Color Grading
• Import, edit, and deliver video in standard color spaces, or in wide Rec. 2020 color space
• Improve the look of any clip with one-click Balance Color
• Manipulate color, saturation, and exposure with the Color Board
• Fine tune a specific color or area of the screen using keying and masks

One-Step, Optimized Output
• Incredibly fast export for playback on Apple devices and upload to websites such as Vimeo, YouTube, and Facebook
• Use themed menus to author and burn a DVD or Blu-ray disc
• Export audio stems and multiple versions of a finished video using roles metadata
• Import and export XML for third-party workflows like color grading and sound mixing

System Requirements: OS X v10.11.4 or later, 4GB of RAM (8GB recommended for 4K editing and 3D titles), OpenCL-capable graphics card or Intel HD Graphics 3000 or later, 256MB of VRAM (1GB recommended for 4K and 3D titles), 4.15GB of disk space.

Some features require internet access; additional fees may apply. Blu-ray recorder required for burning Blu-ray discs.

Release Notes

7/6/2017 | Version : 10.3.4 | Size : 2.7 GB
• Resolves a stability issue when using keyboard shortcuts to trim in Secondary Storylines
• Fixes an issue in which certain editing operations could create an extra audio fade in
• Fixes an issue in which the Share dialog could incorrectly display a codec warning

Introduced in Version 10.3.3
• Ability to expand the width of the Inspector to view and adjust effect parameters
• Fixes issues with updating older libraries
• Faster redraw of audio waveforms when using clips that are being imported while recorded to disk
• Diamond icon in the Timeline Index to show when the user has modified display of roles in the timeline
• More color options in the Role Editor
• Reveal in Browser correctly displays the location of the original clip in the browser
• Support for Canon Log 3 and Sony S-Log3/S-Gamut3 log processing
• Resolves an issue in which the viewer could occasionally disappear when exiting full screen
• Resolves issues in which Share to DVD could become unresponsive
• Improves font quality of DVD menu and chapter titles
• Improves image quality when creating a DVD
• Enhanced DVD User dialog messages with embedded links to documentation

Introduced in Version 10.3
New Interface
• Redesigned dark interface puts the focus on your video
• Configure window layouts into custom workspaces for tasks like organizing and color grading
• Fill a second display with the timeline or hide the timeline completely
• Expand the Inspector to full-screen height

Magnetic Timeline 2
• Color coding of clips based on roles — such as dialogue, music, and effects — lets you understand your project at a glance
• Enhanced Timeline Index lets you drag and drop audio roles to rearrange the layout of your timeline
• Focus button in the Timeline Index lets you highlight specific audio roles and collapse all others
• Show Audio Lanes button in the Timeline Index displays a structured timeline layout with dedicated spaces for each audio role
• iXML support enables automatic creation and assignment of roles based on metadata from an audio field recorder
• Create and manage a unique set of roles for each Final Cut Pro library

Wide Color
• Images are now viewable in wide color on supported Mac computers and external displays
• Import, edit, and deliver video in standard Rec. 601 and Rec. 709 color spaces, or in wide Rec. 2020 color space
• Log footage from ARRI, Blackmagic Design, Canon, Panasonic, and Sony cameras, as well as RED RAW footage, can be manipulated in real time while preserving wider color
• Range check overlay in the viewer highlights areas out of the standard RGB range

Support for the Touch Bar on MacBook Pro
• Tap to execute common functions like volume control, fade in and out, and media import
• Easily access advanced editing commands, including Override Clip Connections, Trim to Start, and Trim to End
• View your entire project at a glance and navigate with touch in the timeline overview

More Video Formats
• MXF-wrapped Apple ProRes provides a flexible new format for broadcast delivery
• Support for Canon Log2/Cinema Gamut and Panasonic V-Log
• Support for Sony XAVC-L at 4K for the Sony PXW-FS7 and PXW-X70 cameras
• Playback support for Panasonic AVC-Intra LT
• Export AVC-Intra files

Additional Features
• Flow transition seamlessly merges jump cuts to remove pauses or mistakes in on-camera interviews
• Remove Effects and Remove Attributes commands let you delete specific effects from clips
• SMB 3 network support enables library access on network-attached storage devices
• Timecode effect displays clip name and source clip timecode in the Viewer and in exported files
• Consolidate custom Motion projects into individual Final Cut Pro libraries
• Option for continuous playback of clips in the Browser
• Ability to roll trim on adjacent anchored clips
• Use a Mini DisplayPort or HDMI cable for direct AV output to an external display at standard video resolutions.

4/26/2017 | Version : 10.3.3 | Size : 2.7 GB
• Ability to expand the width of the Inspector to view and adjust effect parameters
• Fixes issues with updating older libraries
• Faster redraw of audio waveforms when using clips that are being imported while recorded to disk
• Diamond icon in the Timeline Index to show when the user has modified display of roles in the timeline
• More color options in the Role Editor
• Reveal in Browser correctly displays the location of the original clip in the browser
• Support for Canon Log 3 and Sony S-Log3/S-Gamut3 log processing
• Resolves an issue in which the viewer could occasionally disappear when exiting full screen
• Resolves issues in which Share to DVD could become unresponsive
• Improves font quality of DVD menu and chapter titles
• Improves image quality when creating a DVD
• Enhanced DVD User dialog messages with embedded links to documentation

Introduced in Version 10.3
New Interface
• Redesigned dark interface puts the focus on your video
• Configure window layouts into custom workspaces for tasks like organizing and color grading
• Fill a second display with the timeline or hide the timeline completely
• Expand the Inspector to full-screen height

Magnetic Timeline 2
• Color coding of clips based on roles — such as dialogue, music, and effects — lets you understand your project at a glance
• Create, assign, and customize the colors of roles to identify different types of audio and video clips
• Enhanced Timeline Index lets you drag and drop audio roles to rearrange the layout of your timeline
• Focus button in the Timeline Index lets you highlight specific audio roles and collapse all others
• Show Audio Lanes button in the Timeline Index displays a structured timeline layout with dedicated spaces for each audio role
• Add audio effects and keyframe audio volume changes to an entire role within a Compound Clip
• iXML support enables automatic creation and assignment of roles based on metadata from an audio field recorder
• Create and manage a unique set of roles for each Final Cut Pro library

Wide Color
• Images are now viewable in wide color on supported Mac computers and external displays
• Import, edit, and deliver video in standard Rec. 601 and Rec. 709 color spaces, or in wide Rec. 2020 color space
• Log footage from ARRI, Blackmagic Design, Canon, Panasonic, and Sony cameras, as well as RED RAW footage, can be manipulated in real time while preserving wider color
• Range check overlay in the viewer highlights areas out of the standard RGB range

Support for the Touch Bar on MacBook Pro
• Tap to execute common functions like volume control, fade in and out, and media import
• Easily access advanced editing commands, including Override Clip Connections, Trim to Start, and Trim to End
• View your entire project at a glance and navigate with touch in the timeline overview

More Video Formats
• MXF-wrapped Apple ProRes provides a flexible new format for broadcast delivery
• Support for Canon Log2/Cinema Gamut and Panasonic V-Log
• Support for Sony XAVC-L at 4K for the Sony PXW-FS7 and PXW-X70 cameras
• Playback support for Panasonic AVC-Intra LT
• Export AVC-Intra files

Additional Features
• Flow transition seamlessly merges jump cuts to remove pauses or mistakes in on-camera interviews
• Remove Effects and Remove Attributes commands let you delete specific effects from clips
• SMB 3 network support enables library access on network-attached storage devices
• Timecode effect displays clip name and source clip timecode in the Viewer and in exported files
• Consolidate custom Motion projects into individual Final Cut Pro libraries
• Option for continuous playback of clips in the Browser
• Ability to roll trim on adjacent anchored clips
• Larger Media and Content browsers provide more space for viewing photo libraries, sound effects, music, titles, and generators
• Use a Mini DisplayPort or HDMI cable for direct AV output to an external display at standard video resolutions.

2/15/2017 | Version : 10.3.2 | Size : 2.8 GB
• Ability to add custom folders of audio files to the Sound Effects browser
• Using ripple delete on audio-only clips no longer disables the selected range
• Audio meters retain custom width after relaunch
• Improves responsiveness when editing very long projects
• Improves performance when exporting H.264 files and changing frame rate
• Exporting ProRes 4444 files with transparency using Compressor creates a correct alpha channel
• Fixes an issue in which adjusting the line spacing of multi-line titles only applied to the first line
• Fixes an issue in which secondary storylines with mixed roles could overlap in the timeline
• Fixes an issue that could prevent burning Final Cut Pro projects to DVD via Apple USB SuperDrive

Introduced in Version 10.3
New Interface
• Redesigned dark interface puts the focus on your video
• Configure window layouts into custom workspaces for tasks like organizing and color grading
• Fill a second display with the timeline or hide the timeline completely
• Expand the Inspector to full-screen height

Magnetic Timeline 2
• Color coding of clips based on roles — such as dialogue, music, and effects — lets you understand your project at a glance
• Create, assign, and customize the colors of roles to identify different types of audio and video clips
• Enhanced Timeline Index lets you drag and drop audio roles to rearrange the layout of your timeline
• Focus button in the Timeline Index lets you highlight specific audio roles and collapse all others
• Show Audio Lanes button in the Timeline Index displays a structured timeline layout with dedicated spaces for each audio role
• Add audio effects and keyframe audio volume changes to an entire role within a Compound Clip
• iXML support enables automatic creation and assignment of roles based on metadata from an audio field recorder
• Create and manage a unique set of roles for each Final Cut Pro library

Wide Color
• Images are now viewable in wide color on supported Mac computers and external displays
• Import, edit, and deliver video in standard Rec. 601 and Rec. 709 color spaces, or in wide Rec. 2020 color space
• Configure color spaces for both libraries and projects
• Log footage from ARRI, Blackmagic Design, Canon, Panasonic, and Sony cameras, as well as RED RAW footage, can be manipulated in real time while preserving wider color
• Range check overlay in the viewer highlights areas out of the standard RGB range

Support for the Touch Bar on MacBook Pro
• Tap to execute common functions like volume control, fade in and out, and media import
• Easily access advanced editing commands, including Override Clip Connections, Trim to Start, and Trim to End
• View your entire project at a glance and navigate with touch in the timeline overview

More Video Formats
• MXF-wrapped Apple ProRes provides a flexible new format for broadcast delivery
• MXF master file export uses audio roles to configure industry-standard channel layouts
• Support for Canon Log2/Cinema Gamut and Panasonic V-Log
• Support for Sony XAVC-L at 4K for the Sony PXW-FS7 and PXW-X70 cameras
• Playback support for Panasonic AVC-Intra LT
• Export AVC-Intra files

Additional Features
• Flow transition seamlessly merges jump cuts to remove pauses or mistakes in on-camera interviews
• Remove Effects and Remove Attributes commands let you delete specific effects from clips
• SMB 3 network support enables library access on network-attached storage devices
• Timecode effect displays clip name and source clip timecode in the Viewer and in exported files
• Consolidate custom Motion projects into individual Final Cut Pro libraries
• Option for continuous playback of clips in the Browser
• Ability to roll trim on adjacent anchored clips
• Larger Media and Content browsers provide more space for viewing photo libraries, sound effects, music, titles, and generators
• Use a Mini DisplayPort or HDMI cable for direct AV output to an external display at standard video resolutions.

Rankings

Overall :
#1 : Top Grossing Mac Applications
#4 : Top Paid Mac Applications

Categories :
#1 : Top Paid Mac Applications [Video]
#1 : Top Grossing Mac Applications [Video]

Screenshots Mac OSX :

Screenshots Mac OSX Screenshots Mac OSX Screenshots Mac OSX Screenshots Mac OSX Screenshots Mac OSX

Category

Photography , Video


Supported Devices : Mac OS

Comments and Ratings for Final Cut Pro

Keeps Crashing!! (10.3.2)
2/12/2017 8:38:00 AM 3/5 By TimAnnaKidwell
I love using FCP! It’s way better than iMovie and it’s so convient when it comes to editing my Vlogs! The ONLY problem that I do keep having is that it crashes all of the time! Atleast 5x a day it crashes and I get a notification on my screen saying stuff I don’t understand. Everytime I send it to Apple, I haven’t recieved any info about why it’s doing that. Can anyone help me?

It’s a solid video editor (10.3.2)
2/11/2017 4:31:00 PM 5/5 By Fhhowdy
I work in an environment where I get to consistently utilize FCPX, Premiere and Resolve. This is by far my favorite editor, due to the simplicity of the interface. Sure, there are tasks which FCPX has really got to improve on, but that doesn’t sway my preference for FCPX for my normal projects (documentaries, small multicam projects with no more than 4 angles, quick video shorts). Here are the pros from my perspective: * Very responsive editor * Relatively easy to learn. There are a ton of resources out there (Ripple, for example). * Great integration with Motion (learning curve is a littler easier than Premiere/AE, in my opinion) * The power of FCPX/Compressor is simply outstanding. The export speeds are great, too. * The power of roles for video/audio can’t be overstated. This is especially true when working with multiple people on a project. * There is a LOT of power in the audio interface within FCPX. The power is enough to keep me out of external daws on most projects, which is fortunate given the lack of integration options… * The number and quality of 3rd party interfaces is a awesome. I could list them, but that probably violates a review condition somewhere… * I don’t think the FCPX devs get enough credit with respect to the power needed to complete a video project with the program. It’s the only one I can use reliably on a macbook air. Most of my editing is done on a MacBook Pro, but the air option is great when I need to use my MBP for another task. * Price — as long as they stay with the current price and avoid a yearly subscription plan, it’s really hard to argue that there is any other app that can compete with it at its price point. Most users can get away without any 3rd party apps, but they are still there for those of us who need the extra capability. Here are the cons from my perspective: * Inability to map controls to **easily** map controls/commands to an external control interface * Lack of **native** integration with logic. I use another daw as my primary, but logic is extremely powerfull, and with the great job the devs did with integrating with other apple products (motion/compressor), why can’t they get this right? These first two bullets are my primary wish lists of enhancements. * reliability — there are way too many crashes. this is especially true when you have any type of audio adjustments applied to a multi-cam clip and do a lot of panning * Lack of program defaults. FCPX changed the project defaults to show the entire waveform — not my preference. There are other things which I do to EVERY project — just to set them up. (adding custom roles for audio/video being one). They could cut my setup time by 90% if they’d expand this. * FCPX can be a pain to use when needing to do lots of color corrections or noise reduction (video noise — not sound). There are third party solutions out there, but I don’t have to go 3rd party with my other editors. * Why are the window controls for playback on the video preview screen? If you’re using this on a multi-monitor setup without using keyboard shortcuts, it’s a royal pain. Most of the edits are done on the timeline, so you have to consistenly jump between monitors. Make it so we can dock it where we want it.

10.3 Ruined Everything and 10.3.1 doesnt help. (10.3.2)
2/11/2017 8:56:00 AM 1/5 By VegRob
UPDATE: 10.3.2 STILL DOES NOTHING TO FIX THE LIBRARY UPDATE PROBLEMS. I’m done with Apple. If I could, I’d ask for my money back on this app because for all the years I used it as my sole editor I now can’t access over 5 years of client work and just lost money because of it. A client needed an old video re-edited for a new use, and I had to tell him I’m locked out of my library because Apple doesn’t know how to fix known issues. UPDATE: The 10.3.1 patch promised a fix to the issues with libraries updating. I downloaded it immediately, in hopes I could get back to my working files, but it seems they haven’t fully figured out the issue yet because I’m still getting errors when trying to update libraries that had always been useable and accessible from my Drobo. This is completely unacceptable. Apple has fallen very far from the company they used to be. I’ve been with FCPX since the first version. I’ve stood by it while others migrated to other NLEs. I upgraded the software to 10.3 today, expecting the usual Library update process to follow before getting to work. All of my work is stored on a Drobo RAID system. The Library update gets to 90% and quits due to an error. 8 years of client projects are now locked and completely unavailable to me! Thanks, Apple! FIX IT! Oh, I forgot to mention, one of those projects that I now cannot access is actually a live job, and the client is expecting updates soon. If this doens’t get sorted and I can’t access my files soon I’ll never open this software again and I’ll migrate to a new NLE.

Worth the Money! (10.3.2)
2/6/2017 9:47:00 AM 5/5 By Jimbob T
FCPX is a great investment! You can do all kinds of things with it, and make video up to 5K quality at 60fps! I use it on a 2010 Macbook Pro, and it still functions very well. It costs only $300 and is worth every penny; it does almost as much as Adobe Premiere Pro, which costs more than twice as much. If you've used iMovie for any amount of time, you'll be able to catch on to Final Cut Pro very quickly. It has the same style of editing with many more transitions, effects, and titles, as well as many more features. P.S. Many people say that the new update is low quality; however, it's just structured differently. You can get used to it easily.

UNSTABLE, no longer useful! (10.3.2)
2/5/2017 3:47:00 PM 2/5 By PPO2_1.4
My entire workflow was in FCPX… looks like I may have to switch to Adobe now. This is what I get multiple times a day: ———— Crashed Thread: 0 Dispatch queue: com.apple.main-thread Exception Type: EXC_BAD_ACCESS (SIGSEGV) Exception Codes: KERN_INVALID_ADDRESS at 0x0000462a8180bec0 Exception Note: EXC_CORPSE_NOTIFY Termination Signal: Segmentation fault: 11 Termination Reason: Namespace SIGNAL, Code 0xb Terminating Process: exc handler [0] ———— IN ENGLISH: This program crashes several times a day, often dumping my work with it! This is on a fresh OSX 10.12.3 install, with a fresh boot and no other significant programs running. Reliability is KEY when I’m using my machine to support my living and passions… and FCPX is a bit short on it it seems. Stay away!

Do not Buy!!!! I REPEAT…DO NOT BUY (10.3.2)
1/27/2017 1:58:00 AM 1/5 By DrewforDrew
I am beyond disappointed! I spent months working and saving money for this software, and all it does is crash and waste space. I honestly wish i could get my money back because this was garbage. for the amount of money it cost, you would think you wouldnt have a problem with it. Fuh.. Back to freaking iMovie i go ….

A great NLE coming into its own (10.3.2)
1/24/2017 1:29:00 PM 4/5 By Jrwhite8
Put the bungled release of Final Cut Pro X behind you. Was it introduced too hastily and without a clear migration path from past versions of Final Cut Pro? Yes. But let’s looks at the application for what it is, especially now after over a dozen (free!) updates over the last few years. During every stage of your workflow, FCPX gets out of your way and let’s you get to the art of editing. - It’s blazingly fast. 64-bit, multithreaded, OpenCL GPU-accelerated, and boasts a resolution independent timeline (6K+ footage? no problem!). It screams. - Native support for RED footage, Sony XAVC, H.264, AVC, MXF, etc. Built-in controls to toggle LUTS on Arri, Blackmagic, Sony, Panasonic & Canon footage. (And FCPX contains, hands down, the best RED workflow of any NLE). - Simply the best multicam tools of any NLE. Mix formats and frame rates; sync by timecode, audio waveform, or camera date/time, and easily manually adjust in the Angle Editor. - Amazingly powerful metadata and search tools that allow you to quickly log hundreds of hours of footage with ease. Keyword collections are more powerful than bins: think of them like labels in Gmail, so footage can exist in more than one Keyword Collection, if appropriate. Range-based keywords allow you to label just a section of a clip (a more powerful and flexible form of subclipping), especially great for docu work. Smart Collections allow for saved searches that update automatically. - The magnetic timeline is actually one of my favorite features. Basically, by default your editing tools are set to ripple; there’s a Position tool that reverts back to FCP7 behavior. But the strength of the magnetic timeline is that you don’t have to think about tracks and gaps and clip collisions and can just get to the art of editing. Come to it with an open mind, and I think you’ll come to see the myriad benefits. - An incredibly flexible audio workflow with Roles. No more fussing with patching tracks. Now you can easily visually organize your audio by dialogue, effects music, etc. It automatically recognize siXML data from sound files to label and organize subroles (specific microphones/characters) on import. Using a product like XtoPro, you can easily output an AAF for ProTools with all of the audio organized intro tracks by their Roles. And you can now use compound clips to apply effects, make volume adjustments, etc. to an entire Role (think an audio bus). - Auditions let you combine multiple takes into a single clip and switch between them, even if they’re different durations. Really handy for narrowing down that best take. - Compound Clips are a way of nesting that can be used to clean up a timeline, group a section of clips, or easily create a graphic that will be used over and over again. - Background rendering! No more staring at that blue render bar before you can play anything. - Built-in "PluralEyes"; sync clips with scratch track audio automatically. - RGB color grading with ColorSync (and with a new Macbook Pro or Mac Pro with HDMI out, the ability to have broadcast out without additional hardware). - Powerful XML support for third party application integration. Has the best DaVinci Resolve integration of any NLE. - The ability to save and apply a bunch of different filters and effects, including any settings changed, as an Effects Preset – this is very powerful. - A powerful 3D titler that offers nearly unlimited customization with better playback/performance than many other similar motion graphics applications. Libraries are a huge improvement in media management and project organization; essentially a combination of a classic FCP project file and an (optional) project-specific “capture scratch.” SAN and NAS support is much improved. Libraries make organizing your media, collaborating with other editors, and archiving drop dead simple. FCPX works far better in collaborative workflows than FCP7 did. All that being said, I do have suggestions, but my list of gripes gets shorter with each release. I’d love to see the following: - Better audio mixing tools (master fader, keyframe recording). - Batch export a group of clips from the Browser (would be a great dailies workflow). - Tabs in the timeline. - The ability to lock a Clip/Storyline in time, or lock an entire Project. - Out-of-sync indicators, and the ability to re-connect audio to its video (without having to use compound clips). - True Motion roundtripping (“Send to Motion” from the timeline, and the ability to add a Motion project to the timeline). - A motion tracker for secondary color corrections, titles, etc. (add Motion’s tracker into FCPX). - Add a keyboard shortcut for moving a selected connected clip above or below other connected clips/storylines in the timeline. - Add a keyboard shortcut to set the clip connection point to current playhead/skimmer position (cmd-opt-click, but without using the mouse). - Duplicate detection in the timeline. - The ability to select a clip in the Browser, then reveal affiliated clips from it in the timeline. - Keyframeable color corrections. - The ability to copy and paste variable retiming attributes. - The ability to add a clip from the timeline to an Audition. - The ability to slip a clip one/10 frames at a time without using the mouse. - When selecting a clip in the timeline and choosing “Reveal in Browser”, if that clip exists in the currently selected keyword collection, it should keep me in that keyword collection instead of popping out to the root of the Event. - More granular metadata search in the Timeline Index. I would love to see these implemented. But the app as it currently stands is just as powerful as FCP7, and in many cases it’s lightyears beyond it. While it’s not perfect (no NLE is), I truly think this is the future of editing, and the 10.3 update seems to lay the foundation for further improvements and feature additions.

Running Great, Good Features (10.3.2)
1/22/2017 7:17:00 PM 5/5 By jmbennett357
I didn’t use FCP X for many years because it didn’t seem professional enough for my needs, but I decided to use it after I saw how much far and ahead it utilizes the iMac and MBP hardware compared to Premiere Pro CC. So glad I made the jump! Effortlessly editing a 1.5 hour long movie on it with a the late 2015 iMac, adding lots of LUTs / effects, and it’s running great and has professional features for me to utilize. It can take a little getting used because it’s a different non-linear editor than most, but once you get the hang of it it’s great. If you want a professional video editing software that is continually getting better and utilizes your Apple hardware more than any other non-linear editor, then I think you’ll be happy with your purchase.

Very professional ! (10.3.2)
1/20/2017 1:08:00 PM 5/5 By isabella borgos
the final cut pro app is awesome ! it has all of the tools you could possibly use to form a real comercial or even tv show ! i would highly recomend !

Better, but... (10.3.2)
1/19/2017 10:09:00 PM 2/5 By NudgeyBear5567
Yeah sure you fixed the audio meter issue, yay, but the events still go back to alphabetical organization when Final Cut is relaunched, and yes, I did save my workspace. Come on guys, you’re so close. -DaSamNudge


From this dev.

Apple Store
Apple Store

Price : Free
Platform : iPhone/iPad
By Apple
GarageBand
GarageBand

Price : $14.99
Platform : Mac OS
By Apple
OS X Server
OS X Server

Price : $19.99
Platform : Mac OS
By Apple
Apple Store for iPad
Apple Store for iPad

Price : Free
Platform : iPhone/iPad
By Apple
Apple TV Remote
Apple TV Remote

Price : Free
Platform : iPhone/iPad
By Apple

To Discover

Elements 3D
Elements 3D

Price : Free

Bubble Blast Rescue (Full)
Bubble Blast Rescue (Full)

Price : $0.99

Connect Em
Connect'Em

Price : Free

Spot The Differences - Find The Differences
Spot The Differences - Find The Differences

Price : Free

Words ►
Words ►

Price : Free



iPhone and iPad Apps

iPhone and iPad Games

Mac OS X Apps

Mac OS X Games

Back To Top

   Follow @FormidApps